The photograph hanging above our fireplace has survived three apartments, two cross-country moves, and one disastrous indoor baseball game.
A thin crack runs diagonally across the glass, beginning near the upper corner and ending just above my father’s shoulder.
I caused it when I was nine.
Dad had repeatedly told me not to swing a plastic bat inside the house. Naturally, I waited until he went into the kitchen before attempting to hit a rolled-up sock across the living room.
The sock missed the picture.
The bat did not.
I remember standing frozen beneath the crooked frame, convinced I had destroyed something sacred.
Dad walked into the room, stared at the damage, and sighed.
“Well,” he said, lifting the frame from the floor, “the two people in this picture were already having a pretty difficult day. I doubt a crack is going to make it worse.”
That photograph was taken eighteen years ago on the football field behind Ridgemont High School.
In it, seventeen-year-old Mason Cole is wearing a blue graduation gown over faded jeans. His cap is tilted too far to one side, his tie is crooked, and his expression looks less like that of a proud graduate and more like someone waiting for an explosion.
In his arms is a six-month-old baby wearing a white dress and one tiny yellow sock.
That baby is me.
I spent most of my childhood making fun of his expression.